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Film Restoration

Behind the scenes

Crew

Oliver Herbrich .............................. production

Wolfgang Caspar ..................... film scanning

Tabitha Urban ......................... dubbing editor

                                                         authoring

Thomas Reese ............... re-recording mixer

Wolfgang Grimmeisen ........... color grading

Susanne Strobel ...................... color grading

Klaus Schäfer ................ subtitles, encoding

Dirk Jurschewsky ................ DCP mastering

Susanne Pittroff .................... graphic design

Ludolph Weyer ............................... consultant

 

Thanks to

Dirk Jurschewsky, Berola Film

Edith Schroll, Berola Film

Frank Troschitz, Filminstitut Düsseldorf

Jan Treibert, Bundesfilmarchiv Berlin

Framing 1.33 and 1.66 from full area scan

Tech Specs

Filmscanning............................. Berola Film

Soundstudio ............................. Studio b

                                                  Media GmbH

Titles ........................................... Brennpunkt                                                   Film

Resolution ................................. 2K (1080P)

Data format .............................. DNx HD 444

Frame rate ................................ 24P und 25P

Output formats ........................ DCP (SMPTE)

                                                  BluRay

During the remastering „The Bavarian Al Capone" was rescaled to a new aspect ratio from 1:1.33 (4:3) into 1:1.66 wide screen. Therefore the film negative was scanned in a higher resolution of 2.5K. In cooperation with cinematographer Ludolph Weyer the film was reframed then after.

 

A „full area scan“ of the original shooting negative created a wider picture than the former 1.33 projection display could show. This served as source material.

Using the the more expanded film frame with small black vertical edgings (15:9) the camera image was cropped just a little horizontally. Scene by scene the new framing was individually adjusted.

The scrolling titles were renewed. Many old press clippings and photos had to be scanned and replaced. Even the soundtrack was remixed.

The original 1:1.33  version of the film  also got saved as historic archival item for the future.

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